![]() ![]() In“ from the Input Type chooser of an audio track. If multiple tracks are selected, pressing one of the Monitor buttons applies this selection to all of the selected tracks.Īn audio interface’s inputs are selected by choosing “Ext. If you are recording into Live with monitoring set to “Off,“ you may want to make the Audio Preferences’ Overall Latency adjustment, which is described in the built-in program tutorial on setting up the Audio Preferences. Generally, it is preferable to work with an audio interface that allows for negligible latencies (a few milliseconds). This is useful when recording acoustic instruments which are monitored “through the air,“ when using an external mixing console for monitoring or when using an audio hardware interface with a “direct monitoring“ option that bypasses the computer so as to avoid latency. Monitoring can be turned off altogether by choosing the Off option. MAX VIENNA ENSEMBLE ADIO OUTPUTS PER INSTANCE ACTIVATORAn “In“ monitoring setting can be easily recognized even when the In/Out section is hidden by the blue color of the track’s Activator switch. With this setting, output from the clips is suppressed. This setting effectively turns the track into what is called an “Aux“ on some systems: the track is not used for recording but for bringing in a signal from elsewhere.
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